Netflix is a dumpster fire of daft, substance-free wokevision which is at once tragic and illuminating given its beginnings as a ideology-free DVD rental service. I haven’t been able to finish anything produced by Netflix without my eyes rolling out of my head in about three years. Prior to that, I was a collossal alcoholic and would watch anything. Incidentally, judging by the reviews of their original productions, I’d wager that is an apt description of their average audience member.
I Care a Lot is a story about how mean bitches are the best, even when they’re irredeemable shells of human beings. That’s not my interpretation of the film based on subtle yet brilliant writing; the main character explicitly states this repeatedly (three times by my count but I stopped counting). Rosamund Pike plays Marla, a con-artist who owns and operates an elder care service in which a doctor she’s in cahoots with gets a court to place the elderly in Marla’s care and then Marla milks them dry until they die and she has to give whatever is left to their inheritors. It’s an alright plot and when she inevitably goes after the wrong old lady, shit gets real real.
Dianne Wiest’s Jennifer is, by all appearances, a lonely and but very successful elder without a family who falls prey to Marla’s scam. Unfortunately for Marla, she does secretly have a son and her son is, naturally, the leader of a Russian mafia outfit (Peter Dinklage, the only saving grace in this entire grease pit). The two go at each other for custody of Jennifer back and forth and back and forth. I could describe what happens but it’s banal and predictable, and I don’t want to be writing much more on this.
The core issue with this film is that Jennifer never truly suffers. I know that sounds cold and malicious but she’s just a character in a movie, not a real person, so it’s okay. You watch her destroy the lives of society’s most vulnerable class of people, all the while being celebrated by the cinematography, and then she just… well, is a spoiler of a shitty movie still a spoiler? She doesn’t win in the end, anyway.
The identity-politics undertones are all there, as with everything Netflix releases. I’m not a psychopath who is obsessed with the evils of feminism or the queers turning our kids gay, but it’s difficult to ignore in these movies. There’s no subtlety or broader message. Movie after movie is just about white men being evil. It’s boring. Further, if you do truly believe white men are evil, does portraying them as moronic and impotent serve your message? Wouldn’t that lead impressionable young minds to underestimate how dangerous and manipulative men are capable of being?